Pamela Nelson is an artist living in Dallas, working in painting, mixed media, and public art installations. Pamela has exhibited in over 100 national venues, including the Dallas Museum of Art, Austin Museum of Art, Arkansas Art Center in Little Rock, Beaumont Museum of Art, Texas, National Museum of Women in the Arts in Washington DC, and the National Arts Club in New York City. Public artworks by Nelson include designing four Dallas Area Rapid Transit (DART) light rail stations, designing 24 stained glass windows for a Richardson church, creating a terrazzo floor medallion at DFW Airport, and installing a color theory project at NorthPark Center in Dallas. Pamela has been an instructor for Dallas County Community Colleges, the Arlington Museum of Art, the Gateway Gallery at the Dallas Museum of Art, and the Stewpot Open Art Program for the homeless in Dallas. She received her BFA in 1974 from Southern Methodist University. Active in many community art organizations, Pamela has served on the boards of EASL, the Emergency Artists Support League, that provides funds for economic or medical crises, and the MAC, the McKinney Avenue Contemporary, an alternative exhibition and performing arts space. She is currently serving as Vice Chair of the U. S. Commission of Fine Arts in Washington DC, a monthly review panel for public art and architecture in Washington. She was honored with the Legend Award in 2000 by the Dallas Contemporary, an alternative art venue in Dallas. Nelson’s work in included in U.S. Embassies in the Ivory Coast and Tajikistan, at the El Paso Museum of Art, the corporate collections at MTV in New York, U. S. Trust in New York, and the A.H. Belo collection in Dallas.
MADI is a great artistic adventure, and perhaps, the only existing movement which can justify half a century of existence. MADI is more than an avant-garde movement; it has an underlying wave with several and differing offspring. It is the slow-paced growth of a tectonic plate in the history of art. Indeed, since art and environment are perveived as the fusion of two cultural phenomena, the progression and expression of both of these blend in everyday life.
From ” MADI: Concept Overview”, Paris, 2004
ROGER NEYRAT | Artist